Women and Gender in the Surrealist Movement

Women and Gender in the Surrealist MovementSurrealism refers to a kind of an abstract fine art. Surrealism is a product of popping military campaign at the onset of the twentieth century. in that location several kinds of this skeletal frame of art but the two distinct or major iodines argon the Veristic Surrealism and Automatism. Automatism is the kind of Surrealism, which received acceptance from the postwar art critics. Others consider surrealism a type of action painting. Artists do not consider surrealism a conventional cause of art. Surrealism tends to deal with the inner thinking of the artist than the external opthalmic reality. The Dada pee-pee greatly deflectd development surrealism as a twentieth century form art. The releases of surrealists have elements of surprise and juxtapositions although the surrealists writers and artists consider their acetify as a means of have a bun in the ovening the philosophical nature of their grounds .They withal regard the ir massage as artifacts. Andr Breton, the leader of the surrealist movement holds that Surrealism is a subversive movement. Surrealism emerged from the activities of Dada movement during the First World War. Surrealist movement had genus Paris as its close to valuable center of operations. During the 1920s, surrealists spread their activities worldwide hence influencing literature, visual arts, music and film of galore(postnominal) languages and countries, semipolitical thoughts and practices social theory and philosophy. The result by the women of the Surrealist movement to the refusal by their male counter fractures to greet the urgency and independency of women is quite unmingled in the artistic educate of the women of surrealist movement. These women use carnal imageries to resist and counter male control that is associated with the machine imagery. The use of wackyerness animals as imageries expresses the essentially uncontrollable and wild nature of the female ar tists. exploitation nature and wild animals, the female surreal artists hope to counter the military force of their male counterparts who prefer the use of controlling machines. Restricting the images and actions of women characterized surrealism particularly the incredulity to discern the female artists as independent. The male surrealists did not want to sweep up the independent movement of their female counterparts. The male surrealists expected the women to be their speculate .the male surrealist artists regarded their female counterparts as a muse who is a child, touched(predicate) or an erotic object and not one that re opens an equally original and capable artist. This wo earthly concern forced to find ways of expressing their art beyond the confines of male expectations (Kelley, pgs 56).The women of surrealism were imaginative, bold and quite remarkable in contrasting ways. These women were very active in surrealism purge before the1924 in Paris appearance of the first manifesto of surrealism continues to illuminate and expand their artistic influence to date. This research paper highlights the quality, diversity, vitality and range of the female participants in the surrealist movement.The surrealists acknowledge the office of women to the surrealist movement and at times celebrate them but the women do not receive such recognition outside the Surrealist movement for their noteworthy contribution. For archetype, there argon very few books within the United States of the States devoted to the subject of women and surrealism .the books tend to capture the contribution of individuals whose paintings and photography work still stand out in the art market posthumously. There is serious neglect on the work and contribution of the surrealist women who expressed their work mostly through written work. This kind of neglect results in the mistaking of the surrealist movement and the maintenance of old stereotypes. Generalizing Surrealism based on painting all is quite misleading and is a perfect recipe for misrepresentation of the roles play by the women in the surreal movement. Surrealism as a movement has neer been composed of painters only but also includes individuals engaged in some other forms of art such as writing. There is glaring evidence of the many women poets, and thinkers who work is yet to receive proper recognition. These women contributed immensely to surrealism through ideas, which is a stimulus to imagination .Their ideas were like a liberating force and a microbe of inspiration to political, moral and poetic insurgency. The surrealist movement opposed de facto or opened segregation along ethnic, gender and political currents unlike many of the political and cultural currents of the twentieth century. The writings of women involved in surreal movement featured along the writings of their male counterparts. The writings by women for example featured during the issue of La Rvolution surraliste and their work formed part of the exhibitions by the surrealists. The surreal movement therefore benefitted greatly from the services of the women even more than some feminist organization overdue to their active federation in the movement.Varo, 1955 . see 1(Kelley, pgs 56)The challenge, success and achievements of the women of the Surrealism movement are of great importance not only to the movement but also to the genuine seekers of inspiration, knowledge and a better world. Some of the writing by the women of the Surrealist movement is striking due to their contemporary nature and the anticipation of the present day cultural and root word preoccupations. The texts written by the Surrealist movement women thirty to sixty five categorys ago surpass the present day debates. Nancy Cunard made practical attempts to express her anti-racism convictions by engaging in African Jazz and African art rather than join in whiteness critique. This way, Nancy made her contribution to the dismissal of blacks. The green thinking and environmental consciousness that characterize the activities of the surreal movement is quite amazing. The environmental consciousness and desire to live harmoniously with the wild is something to cherish. It is equally important to realize that the women in the surreal movement emphasize and emphasized the relevance of incorporating ecological concerns into the work of the movement. Wildlife, wilderness and nature form an integral part of the compelling and inspiring themes in the activities of the surreal women.Leonora 1917 range 2(Gale, pgs 40).Through their work, the women of surreal movement highlight the relation between man and other animals. The women in the surreal movement drew attention to the threats veneer the endangered species and expressing their solidarity with the endangered species. Through their work, the women of surreal moment advocates for sustainable lifestyles and non-exploitation of the orbiter .The women championed for ec ological consciousness and dreamt of the realization of a healthy planet. In the dance, bendable arts and films writings and poetry by the women of surreal movement one gets the feel of the native world as depicted in the freshly lights. Their caution of a planet in peril is consistent with most of their working highlighting their plight for environmental conservation and protection of the natural world. It is important to note the environmental concerns raised by the women of the surreal movement are manifesting themselves in the present day in form of mode change, which threatens the existence of many plants, animals and the livelihood of humankind. Carrington, Agar, Senard, Rahon and many others represent eco-feminism and forerunners of ecology (Gale, pgs 40).The women in the surrealist movement reoriented certain aspects of surrealism such the obsession with ones sexuality to interrogating femininity and highlighting the interplay between sexuality and gender. The women of surrealist movement managed to rewrite the metaphor of the violent disconnection that characterized surrealism into a positive narration of visionary transformation. The necessity and importance of surrealism to the propagation of artists before the world is very significant. This multitude included Frida Kahlo, Leonora Carrington, Toyen, Dorothea Tanning and Rammedios Varo.Dorothea, 1984 Figure 3 (Dawn, pgs 30).The contribution of women artists to furthering surrealism goals include liberating consciousness from the western thought serious of polarities, from positivism and rationalism to the poetry of transformation, accident, ambiguity and the erotic metamorphosis are evident in their works. This group of women became the initial female adherents of this radical and new wave movement of the twentieth century to explore sexuality as rise up as gender issues and to contribute towards the self-structured new narratives through visionary thinking. It is important to note that other women who joined the surrealist movement later on after the year 1929-experienced marginalization by from their male counterparts. These women neither were of French decent nor were they present during the Surrealist movements formative years. This group of women who did not consider themselves contributed a lot to the activities and works of the surrealist movement but their participation and contribution is yet to earn recognition. They actively participated in the activities and the exhibitions of the surrealists. Their work continues to circulate in the public domain especially in venues such as the museums, art galleries and exhibitions. The diversity and scope of the work of the surrealist women is evident in their artistic work thus highlighting the dissimilar kinds of interactions they had with the surrealists. Leonor Fini did not consider herself as a surrealist despite her close friendly relationship and ties with the surrealists. She is close to several members of surreal movement such as Leonora Garrington and pocket Ernst. She also had her work formed part of surrealist exhibitions of the 1930s. The work of Leonor Fini is rooted in the traditions of metaphysics ,symbolism ,German and Italian romanticism. Her work evolved from her earlier figurative paintings to highly evocative symbolical and personal figurations. The probing and complex portraits from her work reveal powerful draughtsman-ship. Her work veiled romanticism in an n evocative and rich manner. The work was often theatrical, characterized by a visual universe in which women and animals acted as carriers of psychic forces (Dawn, pgs 30).Leonoras mother introduced Leonora to the Surrealist movement while she was still a green girl after her mother gave a book on surrealism. She later took up residence among the surrealists .Leonora produced paintings and writings anchored on the belief in transformations, phantasmal and psychic journeys. Stella Snead had paintings that bore th e imprint of Surrealism even though she joined the surrealists formally. This became evident during the 1936 surrealists exhibition in London. The work had the features synonymous with the work of the surrealists such the galvanize juxtapositions of real and unreal, logical and illogical, reality and dream, conscious and the unconscious. The younger generation of this group of artists includes Kaye Sage and Dorothea Tanning. She used the metallic colors and abstract forms to relate the paintings to hallucinatory mental landscapes associated with Yves Tanguy and the psychological inscapes by Matta (Breton, pgs 67).Tanning 1944,Figure 4 (Breton, pgs 67)It is important to acknowledge that most of the women associated with the surrealist movement remain individual and diverse group. Their great contributions to the Surrealism by incorporating new perspective to the work of the surreal movement remain a legacy to behoove.In conclusion, it is important to note that women played a commin uted role in development of all the genres of writings and arts. The women were instrumental in shaping the radical and critical outlook of surrealism. Thus, ignoring or overlooking the contribution of women to surrealism is a deception, which amounts to failing to acknowledge the best aspect of surrealist movement.